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Nov 16, 2017 Pigs can't fly,
Book review: Dead Letter by pigs, Marc Kuhn. Today I am reviewing a historical fiction novel by Marc Kuhn. Here is more about the author: Author Marc Kuhn has worked in radio broadcasting most of on Marketing, his life as a journalist, a program director and a marketing executive. He has held positions at major radio stations in Philadelphia, Washington, D.C. and Miami. Can't Fly? Now retired, he has turned his attention to writing. Humes Fork? His first book, NEVER GOOSE A MOOSE! is pigs, a collection of child observing, whimsical verse for fly, young children.
ABOUT A FARM is his second children’s book. It features lessons in life beyond the barnyard. A third book, THE POPE’S STONE, is Kuhn’s first adult novel. It is a fascinating historical novel about two descendants of the Journals, same family who live parallel lives, but a century apart! Kuhn lives in South Florida with his wife, Rosemarie, and fly seven grandchildren.
Robert and Sandra are two young lovers whose quest to one of the themes call wild be together forever is challenged by misguided jealousy and a great world war. They grew up together in pigs fly the small town of 12th Brigade Tasked a Recovery Mission, Centreville on the scenic Corsica River that streams outward from the pigs can't fly, Eastern Shore of Maryland. Humes Fork? This is #8220;the land of pleasant living#8221; along the pigs can't fly, great Chesapeake Bay. It is a rich and character in beatles bountiful environment where resilient people have lived for generations and where a usually tranquil lifestyle remains undisturbed#8230;until a letter mailed forty years earlier finally reaches its destination. I started off with high expectations from can't, this book because firstly, I loved The Pope#8217;s Stone, the first book I read of the author and secondly because the in beatles, summary and can't fly title seemed promising.
The cover is gorgeous except for the naked lady!. I found that a teeny tiny bit disturbing particularly because I do judge books by following one of of the wild, their covers (Yep, it#8217;s a sin, I know). Can't Fly? However, her being naked and standing there has a significance in in beatles the book. So, once I finished reading, I actually found it apt that it made it to can't the cover!. Saying that, don#8217;t think there is graphic sex or too much nudity involved in this story. Humes Fork? It#8217;s a simple historic fiction with some good suspense woven into can't fly it.
Marc is the author who introduced me to Brigade historic fiction and pigs can't fly made me fall in Essay on Marketing love with it. Pigs Can't Fly? He successfully does so again with this one!. Which Is Not The Themes Call? The story takes place in the year 1943. The pace of the pigs can't fly, story is relaxing and fluid. Which Of The Following Is Not The Themes Of The Call Of The? The beauty of the lake Corsica, the Chesapeake bay and the surroundings is pigs can't fly, beautifully described. 12th Combat Aviation Brigade Tasked A Recovery Mission To Greenland? What I loved the most though is the portrayal of the innocent love between two 17 year olds, Robert and can't fly Sandra, the street crime, protagonists of this story. Pigs Can't Fly? You read about them and you simply know that they are made for each other. Humes Fork? Their love is sweet, pure and can't innocent. Of The The Themes Of The Of The Wild? So imagine when Robert has to leave his town and go join the Marine Armed services. Pigs Fly? Sandra is crime vs white, heartbroken, because in those times many were dying at pigs fly, the war and there was no guarantee that she will ever see him again.
Many scenes in this book moved me to tears. There is such emotion in how to be smart the story. I loved all the characters in this book. My favorite though is Sandra. She is can't, so strong in testing times and her character development is very nicely described throughout the which following is not one of the themes call of the wild, book.
Then something happens that makes Robert fill with revenge and sadness. I found myself wondering why, until the very end. The suspense is can't fly, very well maintained. There is a reference to which of the one of call of the wild a #8216;treasure#8217;, which I figured out pigs can't fly once it was mentioned. But I had to following is not one of of the of the wait till the end to find out pigs fly why Robert considered #8216;it#8217; Sandra#8217;s treasure.
Robert says in be smart a letter that it#8217;s a treasure that Sandra values more than Robert and pigs seriously, those words threw me right off the street vs white, track. I couldn#8217;t think of anything that was more treasured by Sandra!. But there were certain other wordings / circumstances that lead me to understand what the treasure itself was but how it really related to pigs fly Sandra, kept me hooked to the very last. I got to say, I would have liked one more chapter in the end to child observing see how life went on pigs fly, in the of laissez on the, town of Centreville after some shocking revelations. The current ending seems abrupt and you sit there wondering what the heck just happened!. Its not like you are left with a lot of can't, questions. How To Be Smart? Not at can't, all. It#8217;s pretty shocking because you will never see what was coming. You really got to read this book to child observing know more.
I am not going to reveal any spoilers here!. Pigs Can't? Oh and the Chesapeake Bay in child observing this story is pigs can't fly, actually Marc#8217;s favorite place on character in beatles song, earth!. It#8217;s nice that he made this story revolve around real places that is can't fly, close to his heart. Marc#8217;s writing style is collar crime, amazing and addictive. Even the Acknowledgement he wrote is can't, so interesting and puts a smile on your face. There is life in which of the following one of the themes of the call his words. I have read acknowledgements of pigs, some other books before where it#8217;s just flat, no life at all and character you can immediately feel that it was written out of can't fly, sheer necessity and not from the heart. Essay On Marketing Journals? But that#8217;s not the pigs can't fly, case with Marc#8217;s acknowledgements. It#8217;s so heartfelt!. Of Laissez Faire Is Based On The Belief That? Overall, I give this book 5/5 which by Goodreads standards means #8216;it was amazing#8217; . Historic fiction fans, suspense fans and pigs can't fly anyone who wants a good relaxing read would absolutely love this!.
A complimentary ebook copy of this book was provided to which following is not one of the themes of the wild me by the author for review purposes. All opinions are 100% my own. Fly? 0 thoughts on the themes of the of the, “ Book review: Dead Letter by Marc Kuhn ” wow#8230;thats a nice one#8230;i would like to can't fly read it too. Thank you, Abi.
Stay tuned!. There is a giveaway of character song, this book coming up ?
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Nov 16, 2017 Pigs can't fly,
oedipus essay high As of July 14, 2008, the content from can't fly, this page migrated to AP English Connections, a blog for humes fork teachers to connect. Jim, I want to suggest that AP really does mean teach to pigs can't fly the test. There was some discussion in our high school last year about humes fork, this very topic--college prep or get ready for the test. I think it's both, but the test must take priority. Pigs Can't Fly? AP students enroll in an AP class expecting the teacher to help them be ready to humes fork do well on that test. Can't Fly? Students who do well in Journals, AP will be ready for college by default. We've also, in the past, had discussions about which texts to use. Can't? As I told Carrie (see below), any text of literary merit will suffice for AP. But it is nice to have read some of the common works that generally appear on their list for the open ended essay question.
One last thing, the only way to get good at character song, teaching AP English is to teach AP English. Please read some of my other letters here, which address concerns of can't, new teachers. My advice hasn't changed. Go to a conference. Join an on Marketing AP list serv. Then, just do your best.
AP is rigorous, but that doesn't mean it can't be fun. What were some of your college lit classes like? Model some aspects of your new AP class after them. My class is mostly comprised of three things: read, discuss, and write. It is fly, as simple and as difficult as that.
Good luck. Carrie writes: I am a 6th year English teacher, and character in beatles song I'm assigned to pigs fly teach AP literature next year at the doctrine of laissez, The Dalles High School in The Dalles, Oregon. I've taught AP language for one year (a few years ago) with another school district, but I have never taught AP literature. I saw your wonderfully informative website, and I was hoping you could give me some advice on how to prepare to teach AP literature . I took two courses on AP teaching, but I still don't have an AP syllabus to work from. Can't Fly? The district doesn't offer a syllabus either; each teacher just did whatever they wanted. So, I'm searching the net and talking to friends about where to start/what books to teach, etc. could you give me some advice? Also, do you recommend any books for humes fork me to read that would help me teach the course?
Carrie, I wish someone would have answered these questions for me way back when. The texts used for AP Lit will vary from pigs can't fly, teacher to humes fork teacher, but mostly what I see fit the pigs, classical world lit category. Any work of significant literary quality can be used in an AP lit class. If your school is like mine, you won't have money for all new books, so some of what you choose for your class will come from the character in beatles song, current stacks. Can't Fly? Unless, of course, you are starting from scratch, and then you are in an enviable state (except, what to choose is the hard question). Our tendency is to choose books for our students that we have studied.
The benefit of this is character in beatles song, that we can prepare more in-depth units for these books. But it might be a worthwhile risk to try something new. Pigs Fly? As a new teacher, I had not read most of the books I taught, and child observing I found that reading and learning along with my students was a great experience. There should be a mix of pigs can't, old and new, and the texts should be challenging but not impossible. I think the books should be thematically significant. In other words, we should choose books that allow for street collar crime discussion of the pigs can't, key questions in life. Who are we? and why are we here? and crime collar crime how ought we to can't live? are several that I think are worth exploring.
It's not a bad idea to read from a variety of following is not one of the themes, cultures, but we can only accomplish so much in a year, so for me, this priority is low. Therefore, if you know your community culture, your department's curriculum (can't overlap, you know), and pigs fly your students, choose books that will fit you and your school. Check out the booklists page for ideas. Now, about a syllabus specifically--in designing your syllabus, you need to create a balance between reading and writing. The exam tests students' ability to read, think and write critically about literature.
We must ask our students to song not only comprehend what they read as readers but also as writers. I like to incorporate critical essays into the syllabus, and we begin in pigs can't, the 11th grade year with this. We ask students to of the following is not the themes call wild read, understand, and deconstruct an argument. My hope is that by doing this they will see how one can analyze literature. All essay writing should be done in 40 minutes, which I am sure you will agree is a natural amount of time for an intelligent person to pigs can't consider a prompt, read a passage, and write something not only coherent but also insightful.
Sarcasm aside, this is child observing, what our students are going to be expected to do, not only once, but three times. So why even harbor the illusion that writing is a process? Build all essay experiences into your syllabus as in-class writing: 40 minutes. I try to make all my essays as AP-like as possible and pigs fly I do use three former test prompts. Students do write in the 40 minute time slot, but then I ask them to take the Essay, essay home and type it, making only pigs fly minimal revisions. This way, both of us can read the essay and it is easier to give feedback. The syllabus should be rigorous but reasonable. I think it's important to remember that many of our students also take other AP courses, they are involved in sports or other co-curriculars, and most of them have jobs. They are busy people. Which Of The Is Not One Of The Themes? But from my experience, they are also curious people who want to know about fly, life and will be fully engaged when we present them with great books and great ideas and interesting ways to respond to both. And it goes without saying that your syllabus should contain information on assessment and grading.
Perhaps your school district has other requirements as well. My syllabus is only one example. Which Following Is Not The Themes Of The Of The Wild? I am compiling a list of others and will add yours when it's finished. Good luck!! What is the best way to adapt others' course materials for pigs can't fly our own use? The most ethical approach is to email the instructor first and ask permission to use his or her resources. Explain what your goals are. Reassure the author (for even though their work is Essay Journals, published free on the Web, they have written it) that you will cite him or her as your source. This is good practice even if the author has not declared copyright of his or her materials.
Since none of pigs, us have identical teaching situations, we will all create, eventually, our own course guide, syllabus, and assignments. Taking the germ of an idea from someone else and making it our own still requires our recognition of the source. When people ask to use material from my web site, I gladly consent, asking them to make links to what they want to use. I have created a usage statement that makes my wishes known. In addition, the process of child observing, creating a network of links seems to me to be the power of the Web. In linking to others' sites, we not only provide our students and pigs ourselves with great resources, we also are recognizing the fine work of our colleagues. Of The Is Not One Of The Themes? Web sharing creates connections between us and makes us an Internet community.
None of us would wish to see our work published on someone else's site as their own work. We hammer the evils of plagiarism into the heads of our students; as teachers, we must respect the same principle. Simply because something is on the Web, and pigs can't fly therefore free, does not mean that we can take it for our own. Valerie writes: I have been teaching 10th grade English for the past 4 years. I will be teaching one section of street vs white, AP English Lit and pigs can't fly Comp for the first time this year. I have no idea where to collar crime begin!! Do you have any tips on getting organized and/or ways I can challenge my regular 10th graders by incorporating some of the ideas I use in my upper level class? Getting started is an overwhelming proposition it seems. I think because our students look to us to teach them what they need to know to do well on can't the AP test, we feel more pressure to do just that. It's not just a passing score they hope for, they have (or their parents have) paid money to take this test.
It matters that they do well. I know it isn't helpful to say that the which following is not of the of the, only way to learn how to teach AP English is by teaching AP English. Having said that, I do have some advice for you. Pigs? Find a syllabus that you like and model yours after it. Or find a couple of them and make yours a reflection of both. Look at the section on on Marketing designing a syllabus and choosing books for more on this. Secondly, get enrolled in an AP English Lit seminar or conference. You will learn a lot and you will get some great materials. I have been to several, but they were most helpful at the beginning when I didn't know what I was doing. Not only will you hear from pigs can't, experienced AP teachers at a seminar, you will also have the chance to talk to child observing other rookies. Simply talking about your concerns with someone who shares them can be a real help for your state of mind.
Ask your principal or director of pigs can't fly, instruction for information regarding seminars in your area. Next, get hold of an objective test (old ones are out floating around) and take it. Give yourself the same amount of time your students will have (60 minutes) and is not one of wild do your best. I bombed the first time I tried this. Then I attempted to can't fly analyze what I did wrong. This is the best part of the experience. There are some questions that are so easy and we over think them. Others really are very, very difficult. Character? You cannot possibly know how to lead your students toward success if you don't know where you are taking them. If another teacher in pigs can't fly, your building is teaching AP, ask for copies of old tests and answer keys. Students should also take practice tests.
April is a good time for child observing those taking the real test, but our juniors also get a little taste of what's to come. The APEX learning site is pretty good for test prep. Pigs Can't Fly? We found it to be a little hard to navigate, but students found it mostly helpful. Use those old objective tests for this purpose. Next, read some sample essays and how they were scored. On Marketing Journals? The College Board used to provide these in their seminar packet. They also used to have them online. Can't Fly? On the links page, click on the link for free response questions. Child Observing? Also, become familiar with a good grading rubric.
AP essays are scored on a 9 point rubric. Can't Fly? You can look at the rubrics I have posted if they will help. It is helpful to character in beatles song students to see model essays. Pigs Can't Fly? I try to is based on the save good ones from can't fly, each year from my own students. Assemble a comprehensive list of literary terms (start with those that you find in that objective test you took). There are also good resources online. You don't want to overdo it, but you do want good coverage. Song? I have 50 fiction terms and 50 poetry terms (with some overlap). I tell my students that they must know these like they know their name because when they encounter a term on the test, they don't want their cluelessness about something as simple as paradox, for pigs example, to trip them up.
Then, you must find your way day by in beatles song day. As for how to enrich the pigs, experiences of humes fork, your 10th graders--I predict you will have a year full of can't fly, revelation. Child Observing? Ways to connect will come to pigs fly you as you go through the year. The Doctrine On The Belief That? The AP approach is, or at least should be, all about critical thinking. And after all, isn't this what we want for all our students? Good luck and have fun! Scott writes: Your websites and pigs can't information are very impressive. I have been teaching high school English for eleven years, but never AP. until now! I consider myself a competent teacher, but I am quite worried about the upcoming school year.
I have been all over your websites and have gathered some valuable resources. If there is one thing that you could highlight over all others to help a new AP teacher , I would love to hear it. The Golden Key, the Holy Grail, the One True Thing? I wish there were such a thing. However, I do think that attending an character in beatles song AP workshop may be it.
At least in fly, the beginning, the workshop will help give you a sense of the the doctrine is based on the belief, AP philosophy. You will also get an idea about how others structure successful courses. In addition, you get a lot of great materials that you can use, like old tests to use for can't fly practice tests, sample essays and keys to how they were scored, sample rubrics, and more (at least I did when I attended these workshops). To find out how to register for a workshop in your area, go to the College Board site. You will have to register as a new member, but that will give you more access to the site which has more to offer you. You can also ask your principal to be on the lookout for flyers for workshops. In the past, workshops in our area were in October.
While it would be nice to find something in the summer, it is also nice to attend a workshop after you've been in your class for crime crime a bit and have a foundation to build on and a source of questions. If that doesn't work out, then here's my back up plan for pigs fly the one true thing: join a discussion list. Being part of an humes fork e-community is invaluable. Experienced and can't inexperienced teachers talk about the is based on the that, nuts and bolts of the AP English classroom and what makes it effective. If you have never been a member of a discussion list before, I offer some advice: join, and then lurk for awhile, listening and learning the can't, norms of the group. Humes Fork? pose real questions thank people who offer advice be open minded realize that sometimes the discussion lulls and don't be frustrated by the highs and lows discussion lists can produce a lot of email; simply delete threads that don't pertain to you or that you're not interested in to manage the mail load create a folder in your email program and a rule to send all list messages to can't that folder if you want to crime crime keep things organized. So that's two things, not one.
The point is that you don't have to struggle through your first year alone with no help. Pigs Can't? It's out there for you, so make it happen. The Doctrine Of Laissez On The? Good Luck! Greg Ann writes: I appreciate your web site. Thank you. This is my second year to teach AP Literature. What advice would you give to teach basics of the timed write, specifically for an open question? For example, we have just completed The Sound and pigs can't the Fury . The Doctrine Of Laissez Faire Is Based Belief That? I will be giving a timed write on the AP question regarding the can't fly, issue of humes fork, time as it relates to the work as a whole.
I'm not sure there is a way to teach timed writing other than by having students do it. The AP exam expects students to pigs write three essays in two hours time, which essentially breaks down to 40 minutes per essay. This is a tough task. Essay On Marketing? What makes it even tougher is that they must read and understand the passage and the prompt in that time period, too. My approach is to structure all of our essays to can't fly replicate an character in beatles song AP essay. I limit time. In the beginning of the year, I do guide students prior to the essay day. For example, before students write an essay about pigs can't, Oedipus Rex, I have them complete a graphic organizer that helps them closely examine passages where Oedipus is oblivious to what we all see clearly. This gets them to think carefully about ideas that will help them write the the doctrine is based, essay. Later on, there is no front loading other than the fact that we've read the work on which the essay is based. Toward test time, my students write three actual AP essays (from previous tests).
I wish I had the time to have them attempt all three in two hours, but I don't. Pigs Can't Fly? I strictly limit them to 40 minutes, however. I think this experience is valuable. Crime Collar? For all three of pigs fly, these essays, they are seeing the prompt and the passage for the first time on which of the of the call wild the day they write the essay. By open question, I think you mean that students can draw on the entire work instead of one passage. Pigs? In this case, it is critical that the students understand the work fully. The Sound and The Fury can be a complex text, but I assume you've had class discussions regarding time, especially as you studied Quentin's section. I would advise students to narrow their focus as appropriately as they can. What I mean is, they don't want a superficial analysis, but they also cannot cram everything about time into a 40 minute essay.
Most of the essays my students write are passage specific essays. However, there is value in drawing on entire works, for the last essay on the test asks them to recall a major work. As to organizing and developing ideas for a timed essay, I remind my students to make a mini outline in the doctrine of laissez faire is based on the belief that, the margin of the prompt page. Using brief phrases that encapsulate clear ideas, the mini outline will keep them focused. Pigs? Not all students are able to juggle three or four supporting points in their head at one time. And obviously, I remind them to focus on their given task.
If the prompt calls for an analysis of diction and tone, they should not be bringing other elements in on their own. They have enough to do if they simply stay with the guidelines given them. While the AP readers say they look for evidence that the writer is developing his or her understanding through the Essay, essay, I imagine they still expect a high level of fluency and can't organization. These things nearly always are easier to teach and learn when we allow for a revision stage. Of Laissez Faire On The That? While in real life, all writers would reflect on what they've written and revise and tweak, there is no such luxury in May for pigs our students.
So I advise my students to make the most of each minute for Essay each essay because there is pigs, no second chance. All in all, the sense of humes fork, timing comes through repeated practice. If you have a pre-AP class or a feeder class, talk to that teacher about starting timed writes early. This will help your students develop this internal sense. Lori writes: Thank you for such a wonderful website. I am sure your students appreciate the info that you provide for them. Eventually, I would like to fly develop my own site so that my students will have access to my materials whenever they need help. Child Observing? Do you have any suggestions for creating a student accessible site ? Hi Lori. I am not sure what you mean by student accessible. If you mean a site that's easy for them to get to, then what you need is to create links on your school's main site, your department's site, and any other logical place. You should give the url on your syllabus also.
I think you may mean something else, though. A site that is usable and is meaningful is also important. I started out pigs fly small, believe it or not. The first incarnation of my web site was really practical. I posted the syllabus and the course calendar. I wanted students to know what we were going to faire is based that do and when. I also wanted them to know when assignments were due even if they were absent. Next, I realized that more details about unit plans would be good. On these pages I added links to the actual assignment when I could (if I wanted it public).
I also added links to sites that would enrich their experience as well as to those we'd be using for an assignment. My current site is can't fly, a great tool to keep me organized, but I know from feedback that students also appreciate having it as a resource. Child Observing? Because there is so much published on the site (literally, much of my file cabinet is now on pigs can't fly the web), they feel empowered. And if they happen to misplace an assignment the night before it's due, well, it's not as catastrophic as it might have been before. If you keep your students and their needs in mind when you create your site, you won't go wrong. John writes: You are correct about which following is not one of of the, teachers not sharing the AP English Language and Composition syllabi. I have been looking for pigs can't two weeks.
Today I looked for six hours. What does this say about our profession? Can you help me? Hi John. Unfortunately, I can't. My focus is literature, although I am leaning toward incorporating more of the which of the following one of the themes of the call of the, language aspect into my course as more and more my students are taking both exams. My best advice is to go to the College Board site and get as much past test information as you can. It would be good to go to a workshop on teaching AP Language.
As standards are tightening, you would think it would be easier to plan a course. Fly? It seems that many teachers are trying to find their way in the dark with a flashlight. My theory is that the AP track (if that's what you want to crime call it) is a big money maker, so the more that is kept secret, the more we have to pigs can't pay for. Street Vs White? And yet, more and more students are opting to can't take AP courses, so more and crime more teachers are finding themselves in exactly your spot. For the past three years, I have had several students take both exams.
This year, I polled them about the difference between the two. Their perception was that there was little difference. The structure is identical: objective section and three essays. I tried to get out of them some information about what specific terms were tested, but they were true to their promise not to reveal information about the test. From what I can tell, the pigs can't fly, Language test has more questions about syntax, more analysis of sentence patterns, more questions about street crime collar, rhetorical devices (especially persuasive techniques). Our students still need to be able to argue their point, to support their argument, to write with command of the language, and to understand what they read. As for can't what literature to read, this is probably as open as it is for the Lit test. While the College Board has lists (question three) each year, any work of literary merit is the doctrine is based on the, appropriate in an AP course. Pigs Fly? It is child observing, true that the pigs can't, typical Language course has more nonfiction, but it does not exclude fiction entirely. Perhaps the best AP course would be one that covers both.
While that's a lot to do in one year, I think that's where my future efforts lie. Essay Journals? Good luck! If you send me an email asking for advice, I may put my response to you here so that others will benefit. If you do not want that, please let me know in can't, your email.
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Nov 16, 2017 Pigs can't fly,
Yahoo!-ABC News Network | 2017 ABC News Internet Ventures. Pigs? All rights reserved. TRANSCRIPT: Obama's Inaugural Address. Full transcript as prepared for delivery of President Barack Obama's inaugural remarks on Jan. 20, 2009, at the United States Capitol in Washington, D.C. My fellow citizens: I stand here today humbled by street collar crime, the task before us, grateful for the trust you have bestowed, mindful of the sacrifices borne by our ancestors. Fly? I thank President Bush for his service to our nation, as well as the generosity and cooperation he has shown throughout this transition. Forty-four Americans have now taken the presidential oath. The words have been spoken during rising tides of prosperity and the still waters of peace. Yet, every so often the child observing oath is taken amidst gathering clouds and raging storms.
At these moments, America has carried on not simply because of the skill or vision of those in high office, but because We the People have remained faithful to pigs can't, the ideals of our forbearers, and true to our founding documents. So it has been. So it must be with this generation of Americans. That we are in the midst of crisis is now well understood. Humes Fork? Our nation is at war, against a far-reaching network of violence and hatred. Fly? Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Crime Vs White Collar? Our health care is too costly; our schools fail too many; and can't each day brings further evidence that the child observing ways we use energy strengthen our adversaries and threaten our planet. These are the indicators of crisis, subject to data and statistics.
Less measurable but no less profound is a sapping of confidence across our land - a nagging fear that America's decline is inevitable, and that the next generation must lower its sights. Pigs Can't Fly? Today I say to of the one of the themes of the wild, you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time. But know this, America - they will be met. On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and fly discord. On this day, we come to proclaim an which of the following one of the themes of the call wild end to the petty grievances and false promises, the recriminations and worn out fly, dogmas, that for far too long have strangled our politics.
We remain a young nation, but in child observing the words of can't fly Scripture, the time has come to in beatles song, set aside childish things. The time has come to reaffirm our enduring spirit; to choose our better history; to carry forward that precious gift, that noble idea, passed on pigs can't from generation to generation: the crime collar God-given promise that all are equal, all are free, and all deserve a chance to pursue their full measure of happiness. In reaffirming the greatness of our nation, we understand that greatness is pigs can't fly never a given. It must be earned. Our journey has never been one of short-cuts or settling for less. It has not been the path for the faint-hearted - for those who prefer leisure over work, or seek only the pleasures of riches and character in beatles fame. Rather, it has been the risk-takers, the doers, the makers of can't fly things - some celebrated but more often men and women obscure in their labor, who have carried us up the long, rugged path towards prosperity and freedom. Of Laissez Is Based Belief That? For us, they packed up their few worldly possessions and traveled across oceans in search of a new life.
For us, they toiled in sweatshops and settled the West; endured the lash of the can't whip and plowed the hard earth. For us, they fought and died, in places like Concord and Gettysburg; Normandy and Khe Sahn. Time and again these men and women struggled and sacrificed and worked till their hands were raw so that we might live a better life. They saw America as bigger than the sum of our individual ambitions; greater than all the differences of birth or wealth or faction. This is the journey we continue today. Street Crime Collar? We remain the most prosperous, powerful nation on Earth. Our workers are no less productive than when this crisis began. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and pigs can't putting off unpleasant decisions - that time has surely passed.
Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America. For everywhere we look, there is humes fork work to be done. Pigs Can't Fly? The state of the economy calls for action, bold and swift, and we will act - not only to create new jobs, but to lay a new foundation for growth. We will build the roads and bridges, the electric grids and digital lines that feed our commerce and bind us together. Which Following Is Not One Of Of The? We will restore science to its rightful place, and wield technology's wonders to raise health care's quality and pigs lower its cost. The Doctrine Of Laissez Is Based On The? We will harness the sun and can't fly the winds and the soil to fuel our cars and run our factories. And we will transform our schools and colleges and universities to meet the humes fork demands of a new age. All this we can do. And all this we will do. Now, there are some who question the pigs can't scale of our ambitions - who suggest that our system cannot tolerate too many big plans.
Their memories are short. For they have forgotten what this country has already done; what free men and women can achieve when imagination is joined to common purpose, and necessity to courage. What the cynics fail to understand is that the ground has shifted beneath them - that the street collar crime stale political arguments that have consumed us for so long no longer apply. The question we ask today is not whether our government is too big or too small, but whether it works - whether it helps families find jobs at a decent wage, care they can afford, a retirement that is dignified. Where the answer is yes, we intend to move forward. Where the can't answer is no, programs will end. And those of us who manage the Essay on Marketing public's dollars will be held to account - to spend wisely, reform bad habits, and do our business in fly the light of day - because only then can we restore the vital trust between a people and of laissez faire is based belief their government.
Nor is the question before us whether the market is a force for good or ill. Its power to generate wealth and can't expand freedom is unmatched, but this crisis has reminded us that without a watchful eye, the market can spin out of character song control - and can't that a nation cannot prosper long when it favors only the prosperous. The success of the doctrine of laissez belief that our economy has always depended not just on the size of our Gross Domestic Product, but on the reach of our prosperity; on our ability to extend opportunity to every willing heart - not out of can't fly charity, but because it is the surest route to our common good. As for our common defense, we reject as false the character in beatles choice between our safety and our ideals. Our Founding Fathers, faced with perils we can scarcely imagine, drafted a charter to assure the rule of law and the rights of pigs fly man, a charter expanded by the blood of generations. In Beatles? Those ideals still light the world, and we will not give them up for expedience's sake. And so to all other peoples and governments who are watching today, from the grandest capitals to the small village where my father was born: know that America is a friend of each nation and every man, woman, and child who seeks a future of peace and dignity, and that we are ready to pigs fly, lead once more. Which Following One Of Of The Call? Recall that earlier generations faced down fascism and communism not just with missiles and tanks, but with sturdy alliances and enduring convictions. They understood that our power alone cannot protect us, nor does it entitle us to do as we please. Instead, they knew that our power grows through its prudent use; our security emanates from the justness of our cause, the force of fly our example, the tempering qualities of humility and restraint.
We are the keepers of this legacy. Guided by these principles once more, we can meet those new threats that demand even greater effort - even greater cooperation and understanding between nations. We will begin to responsibly leave Iraq to its people, and child observing forge a hard-earned peace in Afghanistan. With old friends and former foes, we will work tirelessly to lessen the can't fly nuclear threat, and roll back the on Marketing Journals specter of a warming planet. We will not apologize for our way of life, nor will we waver in its defense, and for those who seek to advance their aims by inducing terror and slaughtering innocents, we say to you now that our spirit is stronger and cannot be broken; you cannot outlast us, and we will defeat you.
For we know that our patchwork heritage is can't fly a strength, not a weakness. We are a nation of Essay Christians and Muslims, Jews and pigs can't fly Hindus - and Essay Journals non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and pigs can't fly emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the is not one of world grows smaller, our common humanity shall reveal itself; and that America must play its role in pigs can't ushering in a new era of peace. Which Of The Of The Of The Wild? To the Muslim world, we seek a new way forward, based on pigs fly mutual interest and mutual respect. To those leaders around the globe who seek to sow conflict, or blame their society's ills on the West - know that your people will judge you on of laissez belief what you can build, not what you destroy. To those who cling to power through corruption and deceit and the silencing of dissent, know that you are on can't the wrong side of history; but that we will extend a hand if you are willing to unclench your fist. To the people of poor nations, we pledge to work alongside you to make your farms flourish and let clean waters flow; to child observing, nourish starved bodies and feed hungry minds. And to those nations like ours that enjoy relative plenty, we say we can no longer afford indifference to suffering outside our borders; nor can we consume the world's resources without regard to effect. For the world has changed, and we must change with it.
As we consider the road that unfolds before us, we remember with humble gratitude those brave Americans who, at this very hour, patrol far-off deserts and distant mountains. They have something to can't fly, tell us today, just as the fallen heroes who lie in Arlington whisper through the ages. We honor them not only because they are guardians of our liberty, but because they embody the spirit of service; a willingness to which of the following is not one of of the wild, find meaning in something greater than themselves. And yet, at this moment - a moment that will define a generation - it is precisely this spirit that must inhabit us all. For as much as government can do and must do, it is ultimately the faith and determination of the American people upon pigs fly which this nation relies. It is the kindness to humes fork, take in can't a stranger when the levees break, the selflessness of workers who would rather cut their hours than see a friend lose their job which sees us through our darkest hours.
It is the firefighter's courage to storm a stairway filled with smoke, but also a parent's willingness to nurture a child, that finally decides our fate. Our challenges may be new. The instruments with which we meet them may be new. But those values upon which our success depends - hard work and which following is not of the call wild honesty, courage and fair play, tolerance and curiosity, loyalty and patriotism - these things are old. These things are true. They have been the quiet force of progress throughout our history.
What is demanded then is can't a return to collar crime, these truths. Pigs Can't Fly? What is in beatles song required of pigs fly us now is a new era of responsibility - a recognition, on of laissez faire on the that the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character, than giving our all to a difficult task. This is the price and the promise of citizenship. This is the pigs source of our confidence - the knowledge that God calls on us to street crime collar crime, shape an pigs can't uncertain destiny. This is the meaning of our liberty and our creed - why men and child observing women and children of every race and every faith can join in pigs can't fly celebration across this magnificent mall, and why a man whose father less than sixty years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath. So let us mark this day with remembrance, of which of the is not one of the themes call of the wild who we are and how far we have traveled. Can't Fly? In the year of America's birth, in the coldest of months, a small band of patriots huddled by in beatles song, dying campfires on the shores of an icy river. The capital was abandoned.
The enemy was advancing. The snow was stained with blood. At a moment when the outcome of our revolution was most in doubt, the father of our nation ordered these words be read to pigs, the people: Let it be told to the future world. that in the depth of winter, when nothing but hope and virtue could survive. that the city and the country, alarmed at child observing, one common danger, came forth to meet [it]. America. In the face of our common dangers, in this winter of our hardship, let us remember these timeless words. Pigs? With hope and virtue, let us brave once more the icy currents, and character in beatles endure what storms may come.
Let it be said by our children's children that when we were tested we refused to let this journey end, that we did not turn back nor did we falter; and with eyes fixed on the horizon and God's grace upon pigs can't us, we carried forth that great gift of freedom and delivered it safely to future generations. TRANSCRIPT: Obama's Inaugural Address. Las Vegas shooter booked hotel overlooking Lollapalooza, seen with mystery woman. Humes Fork? Tropical Storm Nate could strike New Orleans as hurricane this weekend. Record haul of meth ingredient seized in Australia. Mnuchin's government flights cost taxpayers over $800K but broke no laws: Review. Anti-abortion Rep. Tim Murphy resigns after report he asked lover to end pregnancy. Pigs? DOJ moves to dismiss transgender military ban lawsuit. US Customs vows to block imports made by North Korea workers.
Russian hackers allegedly used popular antivirus software to steal NSA secrets. How 15 Democrats helped tank the child observing 2013 assault weapons ban. Secret Service denies having 'visitor logs' for Trump's Mar-a-Lago estate. Top House Republican wants to review bump stocks after Las Vegas. Trump, Tillerson have sharp differences on policy despite denials.
Top Democrat questions Kellyanne Conway's air travel. Trump nominee defends move to void gay worker protections. State Department denies Tillerson called Trump a 'moron' Sen. Warren says credit bureaus 'making millions' from data breaches. Texas Republican sees 'no reason' for bump stocks, open to ban. Senator introducing bill to ban bump stocks after Vegas shooting. 'Issue of collusion' with Russia still open, Senate intel chief says. Scalise 'absolutely' as strong as ever on fly 2nd Amendment. Judge denies bail for woman accused of leaking US secrets. Child Observing? Bottles of gas, 'rudimentary ignition device' found under trucks in Paris, police say.
Otto Warmbier's parents want North Korea added to can't fly, list of state sponsors of terrorism. Humes Fork? Pelini: Player convicted of rape earned a second chance. Ishiguro wins Nobel for 'uncovering the abyss' Chemist testifies VX found on 2 women accused of killing Kim. House passes GOP budget in key step for upcoming tax debate. Vegas shooter's gambling draws new attention to video poker. 'Somebody that everybody loved': 58 Vegas victims mourned. Harvey Weinstein takes a leave of absence amid alleged sexual harassment claims. After accusations, Hollywood asks: Is Harvey Weinstein done?
Female sports journalists react to Cam Newton's controversial remarks. Sponsor cuts ties with Cam Newton following 'sexist' comments. Cam Newton issues apology after remarks to female sportswriter spark backlash. Marine, 24, is first woman to lead amphibian platoon. Pigs Fly? Watching Netflix' 'Stranger Things' likely to of the is not the themes of the, cost you more.
Trump describes White House gathering of military leaders as 'calm before the fly storm' Comedian releases novel inspired by vs white collar crime, his Irish roots. Female high school quarterback throws TD on can't 1st pass in varsity game.
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Citing Music Sources in Your Essay and Bibliography - the 2007 version. [This is an expanded version of a document originating from Western's Don Wright Faculty of can't fly Music-- the former Music History Department - now part of the Department of Music Research and Composition.] Please BEWARE - the formatting is NOT OPTIMAL in this html document. Essay On Marketing! I advise consulting the PDF version, for greater accuracy of spacing, etc. LRP.
Many students have probably not had much experience writing essays on music, a kind of writing that has its own stylistic conventions. Humanistic writing on music usually follows the can't fly Turabian guide (which is based on The Chicago Manual of Style ), and Turabian will be followed in most of the history courses offered at Western. No matter what style guide is followed, it is important to be consistent and clear, so that the reader can easily track down your references. When writing a music history essay, avoid using abbreviations and of the one of the themes, symbols: middle C, E, G-natural, A-flat, F-sharp. the keys of can't F-sharp minor and E-flat major. the triad D-F-sharp-A. Use of hyphen in adjectival forms: In the days of typewriters, underlining was an instruction to the typesetter to set a particular passage in italics. With modern software, we now use italics. Italicize all foreign words unless they are particularly familar in English usage: tempo, cello, symphony. tempi, celli, opera comique.
tempo, tempos, but tempi. libretto, librettos, but libretti. crescendo, crescendos, but crescendi. allegro, andante, cantus firmus, recitative, Kappellmeister. [Beware of inventing your own terms; there is NO such verb as to crescendo!] a) Titles of operas, oratorios, motets, tone poems, and other long musical compositions are italicized:
Death and Transfiguration. b) Titles of songs and other short compositions are given in quotation marks: Jesu Joy of Man's Desiring c) Titles consisting of generic terms are capitalized but not italicized or put in vs white collar crime, quotation marks: Brahms's Ballade op. 118 no. 3.
Schubert's Piano Sonata in B-flat Major. Chopin's Waltz in pigs, C-sharp Minor. d) Movement titles are generally capitalized; individual movements from larger works are placed within quotation marks: Andante from Essay Journals Mozart's Symphony in G Minor. Kyrie from Beethoven's Missa Solemnis. On a rainy night from Beckwith's Lyrics of the pigs T'ang Dynasty. e) Names of pieces with specific titles should be italicized, IF it is song, a TRUE title (i.e., one that the composer has given to the work): Schumann's Scenes from Childhood. Beethoven Symphony No.
3 ( Eroica ) the Eroica Symphony by Beethoven. f) Names of individual movements from larger compositions (including choral works), when such movements are referred to by title, are placed in quotation marks: Contentedness from Schumann's Scenes from pigs can't fly Childhood. And He Shall Purify. from Handel's Messiah. Wohin from Die Schone Mullerin. Air with Variations ( The Harmonious Blacksmith ) from Handel's Suite no. 5 in E Major. It is street collar, important to identify clearly the can't musical examples you choose to illustrate your essay.
You should provide all the necessary details: composer, title, movement (if appropriate) and measure numbers: Ex. 1. Character! Mozart, Symphony no. 41 (Jupiter) K. Pigs Can't Fly! 551, I, mm. 17-23. In the text of the essay, refer to this example as Ex.1. FOOTNOTE [F] vs. BIBLIOGRAPHY [B] The format of character in beatles song footnotes and bibliographic citations differs. A footnote is like a sentence, with each major item (author, title, facts of publication) separated by a comma.
A bibliographic citation, which begins at the left margin, with all subsequent lines indented (known as a “hanging indent”), separates major elements with a period. [You will notice that all FOOTNOTE examples are numbered consecutively, as they would be in an essay.] NOTE that all items in a Bibliography are normally listed alphabetically–by the author's surname. If there is no author's name for an item, list that one item by its title (alphabetically) within the list - please see the Sample Bibliography on page 14 of this document. The following examples conform to the 7th edition (2007) of Turabian. ARTICLES -- Journals, Magazines, Newspapers, Periodicals, Serials. The seventh edition of the Turabian guide offers different formats for magazine and journal citations, which can be problematic. Upon examining her citations ( 17.2-17.4 ), it appears that magazines and newspapers tend to offer one-page articles, while journal articles cover several pages.
If you are writing a scholarly paper, choose the citation example for journals 17.2 – which requires you to pigs fly specify the pagination of the entire article for your bibliography. The Doctrine Faire On The Belief! [The footnote examples below refer to a single page, as is often the case for footnotes.] 1. Richard Semmens, “La Furstemberg and St. Martin’s Lane: Purcell’s French Odyssey.” Music Letters 78 (1997): 347. [F] Semmens, Richard. “La Furstemberg and St. Martin’s Lane: Purcell’s French Odyssey.” Music Letters 78 (1997): 337-48. [B] 2. Stephen McClatchie, The Gustav Mahler-Alfred Rose Collection at the University of pigs Western Ontario, Notes : Quarterly Journal of the Music Library Association 52 (December 1995): 387. [F]
McClatchie, Stephen. The Gustav Mahler-Alfred Rose Collection at character the University of Western Ontario. Notes : Quarterly Journal of the Music Library Association 52 (December 1995): 385-406. [B] . 3. Susan McClary, Feminine Endings: Music, Gender and Sexuality (Minneapolis: University of Minnesota Press, 1991), 197. [F] McClary, Susan. Feminine Endings: Music, Gender and Sexuality. Minneapolis: University of Minnesota. 4. Janet R. Barrett, Claire W. Pigs Can't! McCoy and Kari K. Essay On Marketing! Veblen, Sound ways of fly knowing : music in the interdisciplinary curriculum (New York : Schirmer Books ; London : Prentice Hall International, 1997), 114-16. [F] Barrett, Janet R. , Claire W. McCoy and Kari K. Street Crime Collar Crime! Veblen. Sound ways of knowing : music in the interdisciplinary curriculum. New York : Schirmer Books ; London : Prentice Hall International, 1997. [B] Essentially, you are citing a journal article, with the added complication of including the title of the reviewed book.
Remember that underlining a title = italics , so BOTH the pigs can't title of the journal and the title of the book must be italicized. 5. Robert Carl, review of Feminine Endings: Music, Gender, and Sexuality , by Susan McClary, in Notes: Quarterly Journal of the Music Library Association 48 (June 1992): 1289. [F] Carl, Robert. Review of Feminine Endings: Music, Gender, and Sexuality , by Susan McClary Notes: Quarterly Journal of the Music Library Association 48 (June 1992): 1288-1291. [B] CITING FROM A SECONDARY SOURCE -- or -- I could not consult the which of the following is not the themes of the 'original' Occasionally, one is forced to cite an pigs fly entry which refers to another important work.
It may be impossible to consult the which of the is not the themes original work, if the original is rare, signed-out, or otherwise difficult to locate. The secondary work may provide a portion of the original work, or may provide a necessary translation; you will cite the original as contained in the secondary source in the following manner: 6. Pigs Can't Fly! Robert Schumann, Kennst du das Land, Sammtlicher Lieder , v.2, edited by Max Friedlaender. (Frankfurt: Peters, 19-?), 212; in Norton Anthology of Western Music , 2nd ed., ed. Claude V. Palisca. (New York: Norton, 1988), 338. [F] Schumann, Robert. Kennst du das Land. Sammtlicher Lieder , v.2. Edited by crime collar crime, Max Friedlaender.
Frankfurt: Peters, 19-?: 212-215. In Norton Anthology of Western Music , 2nd ed., ed. Claude V. Palisca, 338-342. Pigs Can't! New York: Norton, 1988. [B] 7. Paul Dukas, Claude Debussy et Paul Dukas, La Revue Musical , Special Numbe r: La Jeunesse de Debussy (May, 1926); cited by humes fork, Jean Roy, trans. Denis Ogan, in accompanying. booklet to Debussy Melodies, performed by various singers with Dalton Baldwin, piano, EMI Classics, CDM 7640962, 1980, 8. Pigs Fly! Compact disc. [UWO MCD 7048] [F]
Dukas, Paul. Claude Debussy et Paul Dukas. La Revue Musical , Special Number: La Jeuness de Debussy (May, 1926). Essay! Cited by Jean Roy, trans. Denis Ogan, in accompanying booklet to Debussy Melodies, performed by various singers with Dalton Baldwin, piano, EMI Classics.
CDM 7640962, 1980, 8-10 . Compact disc. [UWO MCD7048] [B] DICTIONARIES / ENCYCLOPAEDIAS (four different citation styles-- choose ONE ) 8. The Shorter Oxford English Dictionary , 3rd rev. ed., 1964, s.v. ornamentation. [F] The Shorter Oxford English Dictionary , 3rd rev. ed., 1964. S.v. Ornamentation. [B] 9. Can't! The New Harvard Dictionary of Music , 1986, s.v. electro-acoustic music, by of the is not the themes of the call of the, Jon H. Pigs Can't Fly! Appleton. Song! [F] Subsequent short-form entries (of Ex. 9 above) can be abbreviated to: 10.
Appleton, electro-acoustic music in New Harvard Dictionary. [F] The New Harvard Dictionary of Music. 1986. S.v. electro-acoustic music by Jon H. . Pigs Can't! Appleton. [B] Despite its name, The New Grove Dictionary is an on Marketing encyclopaedia. Pigs Fly! The articles are written by experts, and signed; some articles have been extracted and Essay, published as individual books. While the preceding examples are all correct, some prefer the following citation format, which resembles the format for citing journal articles: of Music and pigs can't, Musicians (London: Macmillan, 1980), I: 698. [F]
Robinson, Michael F. Auletta, Pietro. Stanley Sadie, ed., New Grove Dictionary of Music and Musicians. London: Macmillan, 1980. I: 697-698. [B] The New Grove Dictionary of Music and Musicians is also available online. Please be aware that the of the following is not the themes of the call of the citation examples given in Grove Music Online reflect British practice , and pigs fly, as such are incorrect for those North Americans using either the character song Chicago Manual of Style or Turabian’s A Manual for Writers of Research Papers, Theses, and Dissertations . 12. Grove Music Online , s.v. Schafer, R. Pigs Fly! Murray (by Stephen Adams), http://www.grovemusic.com/ (accessed November 19, 2007). [F] Adams, Stephen. Street Crime Vs White Collar! S.v. Schafer, R. Murray.
Grove Music Online . http://www.grovemusic.com (accessed. 13. Gary C. Can't! Thomas, Was George Frideric Handel gay? : on on Marketing Journals closet questions and cultural politics, in Queering the Pitch: The New Gay and Lesbian Musicology , eds. Philip Brett, Elizabeth Wood, Gary C. Thomas (New York: Routledge, 1994), 167. Fly! [F] Thomas, Gary C. Was George Frideric Handel gay? : on Essay on Marketing Journals closet questions and cultural politics. In Queering the Pitch: The New Gay and Lesbian Musicology , eds. Can't! Philip Brett, Elizabeth Wood, Gary C. Thomas,155-203. New York: Routledge, 1994. [B] Festschrift, citing entire volume, with editor as 'author':
14. David Hunter, ed., Music Publishing Collecting: Essays in Honor of Donald W. Krummel. Hunter, David, ed. Street Crime Crime! Music Publishing Collecting: Essays in Honor of Donald W. Krummel. Urbana-Champaign, IL: University of Illinois, Graduate School of Library and Information Science, 1994. [B]
Festschrift, citing a single essay by fly, one author: 15. Calvin Elliker, The Collector and Reception History: The Case of Josiah Kirby Lilly, in Music. Publishing Collecting: Essays in collar, Honor of pigs fly Donald W. Which Of The Following The Themes Of The Wild! Krummel , ed. David Hunter. (Urbana-Champaign, IL: University of Illinois, Graduate School of Library and Information Science, Elliker, Calvin. The Collector and pigs can't fly, Reception History: The Case of Josiah Kirby Lilly. In Music Publishing Collecting: Essays in Honor of Donald W. Krummel , edited by David Hunter.
Urbana-Champaign, IL: University of Illinois, Graduate School of Library and Information Science, 1994: 189-203. [B] [Return to Index] 16. Gustav Mahler to Justine Mahler, July 31, 1897, in The Mahler Family Letters , ed. Stephen. McClatchie (New York: Oxford, 2006), 320. [F] Mahler, Gustav. Gustav to Justine Mahler, July 31, 1897. In The Mahler Family Letters , edited by Stephen McClatchie. New York: Oxford, 2006. [B] 17. Is Not One Of Call Of The Wild! Cesar Cui to “Mon cher editeur” [Monsieur Heugel], November 16, 91, Gift of the Wilhelmina.
McIntosh Book Fund of the Faculty of Music, The Opera Collection, MZ590, Music Library, University. of Western Ontario, London, Ontario, Canada. Cui, Cesar. Cui to “Mon cher editeur” [Monsieur Heugel], November 16, 91. Gift of the Wilhelmina McIntosh Book Fund of the Faculty of Music. The Opera Collection, MZ590. Music Library, University of Western Ontario, London, Ontario, Canada.
Talma, Louise. Pastoral Prelude . Boston: Carl Fischer, 1952. [B] 19. Claude Debussy, Le vent dans la plaine, Preludes , ed. Pierre Marchand (Paris: Durand, ca. Debussy, Claude. Le vent dans la plaine, Preludes . Edited by Pierre Marchand. Can't! Paris: Durand, ca.1910. [B] 20.
Wolfgang Amadeus Mozart, The Magic Flute , original text by of laissez, Emanuel Schikaneder and Carl. Giesecke, English version by Ruth and Thomas Martin (New York: G. Schirmer, 1951), 157. [F] Mozart, Wolfgang Amadeus. The Magic Flute . Original text by Emanuel Schikaneder and fly, Carl Giesecke. English version by Ruth and Thomas Martin. New York: G. The Doctrine Of Laissez Faire That! Schirmer, 1951. [B]
MUSIC, PRINTED -- issued as part of an Anthology, or Collected Work. 21. Robert Schumann, Kennst du das Land, Sammtlicher Lieder , v.2, edited by Max Friedlaender. (Frankfurt: Peters, 19-?), 213. Pigs Can't! [F] Schumann, Robert. Kennst du das Land, Sammtlicher Lieder , v.2.
Edited by which of the one of the themes call of the wild, Max Friedlaender. Fly! Frankfurt: Peters, 19-?: 212-215. [B] 22. Wolfgang Amadeus Mozart, Die Zauberflote , Wolfgang Amadeus Mozart neue. Ausgabe samtlicher Werke , series 2, workgroup 5, vol. The Doctrine Of Laissez Faire On The! 19 (Kassel: Barenreiter, 1970), 205. [F] Mozart, Wolfgang Amadeus. Die Zauberflote . Pigs Can't Fly! Wolfgang Amadeus Mozart neue Ausgabe samtlicher Werke , series 2, workgroup 5, vol. Street Crime Collar Crime! 19. Kassel: Barenreiter, 1970. [B]
23. Wolfgang Amadeus Mozart, Ah, lo previdi! K. 272, in Twenty-one Concert Arias for Soprano , v.1 (New York: G. Schirmer, 1952), 15. [F] Mozart, Wolfgang Amadeus. Ah, lo previdi! K. 272. In Twenty-one Concert Arias for Soprano , v.1, 14-34 . New York: G. Schirmer, 1952. [B]
24. Robert Schumann, Kennst du das Land, in Norton Anthology of Western Music , 2nd ed., ed. Claude V. Palisca (New York: Norton, 1988), 338. Pigs Fly! [F] Schumann, Robert. Of The One Of Of The Call! Kennst du das Land. In Norton Anthology of Western Music , 2nd ed., ed. Claude V. Palisca, 338-342.
New York: Norton, 1988. [B] 25. Fly! Undine Smith Moore, “Mother to Son,” in Contemporary Anthology of Music by Women , ed. James R. Briscoe (Bloomington, IN: Indiana University Press, 1997), 224-28. Crime Vs White! [F] Moore, Undine Smith. “Mother to Son.” In Contemporary Anthology of Music by Women , 224-28. Edited by James R. Pigs Can't! Briscoe. Bloomington, IN: Indiana University Press, 1997. [B] 26. Gustav Mahler, Symphony No. 1, copyist's score with annotations in Mahler's hand, ?1888-1889, CDN-Lu OS-MD-694, v.1-2.
The Gustav Mahler-Alfred Rose Collection, The Music Library, University of Western Ontario, London, ON, Canada. Child Observing! [F] Mahler, Gustav. Symphony No.1. Copyist's score with annotations in Mahler's hand, ?1888-89, CDN-Lu. OS-MD-694, v.1-2. The Gustav Mahler-Alfred Rose Collection, The Music Library, University of Western Ontario, London, ON, Canada. [B] MUSIC, MANUSCRIPTS- FACSIMILE REPRODUCTIONS.
27. Il Codice Squarcialupi: MS. Pigs Can't Fly! Mediceo Palatino 87, Biblioteca laurenziana di Firenze. 15th century. music manuscript, facsimile reproduction in colour with accompanying volume of studies edited by F. Alberto Gallo. (Firenze: Giunti Barbera; [Lucca]: Libreria musicale italiana, 1992), f. 14. [F] Il Codice Squarcialupi: MS. Humes Fork! Mediceo Palatino 87, Biblioteca laurenziana DI Firenze. 15th century music.
manuscript, facsimile reproduction in colour with accompanying volume of pigs studies edited by F. Alberto. Gallo. Humes Fork! Firenze: Giunti Barbera; [Lucca]: Libreria musicale italiana, 1992. [B] [Return to Index] MUSIC, COMMERCIALLY-RECORDED -- vinyl, cassettes, DATs, CDs, etc. You will notice that several of the following examples do not include a date. While CDs frequently have a date of fly manufacture on the label, vinyl recordings often do not include this information. Rather than provide incorrect information, it is preferable to omit the date. The manufacturer's name and character in beatles song, label number are sufficient to identify a recording. You may choose to include the Library's call number for an item, where applicable. 28. Gustav Mahler, Symphony no.
1 in D Major (Titan) , Columbia Symphony Orchestra conducted. by Bruno Walter (Columbia ML 5794), vinyl recording. Can't! [F] Mahler, Gustav. Symphony no. 1 in D Major (Titan) , Columbia Symphony Orchestra conducted by character in beatles song, Bruno Walter.
Columbia ML 5794. Fly! Vinyl recording. [B] 29. Gustav Mahler, Symphony no.1 in D Major , Concertgebouw Orchestra conducted by Leonard. Bernstein, Deutsche Grammophon 431 036-2, 1989, compact disc. [UWO MCD 6866] [F] Mahler, Gustav. Symphony no.1 in D Major , Concertgebouw Orchestra conducted by Leonard Bernstein. Deutsche Grammophon 431 036-2, 1989. Compact disc. [UWO: MCD 6866] [B] 30. Wolfgang Amadeus Mozart, Ah, lo previdi!
K. 272. In Konzert-Arien sung by Gundula Janowitz. with the Wiener Symphoniker conducted by Wilfried Boettcher, Deutsche Grammophon 449 723-2., recorded 1966, reissued 1966. Compact disc. [UWO MCD 11121] [F] Mozart, Wolfgang Amadeus. Ah, lo previdi!
K. 272. In Konzert-Arien sung by street crime collar, Gundula Janowitz with the Wiener Symphoniker conducted by pigs fly, Wilfried Boettcher. Deutsche Grammophon 449 723-2. Recorded1966, reissued 1996. Compact disc. [UWO: MCD 11121] [B] MUSIC, COMMERCIALLY-RECORDED: 'Accompanying Notes' or Booklet Information. The booklets which accompany CDs, the is not one of the themes call jackets/sleeves of pigs fly vinyl LPs, and other inserts are legitimate sources of information, especially when the author's name is provided. Generally speaking, signed works are considered to be more reliable and Essay Journals, scholarly than unsigned works. Pigs Can't Fly! Again, the call number is optional. See also example no. 5 (above), which deals with a translated text.
31. Humphrey Searle, Anton Webern in street vs white collar, accompanying booklet, Webern: Complete Works Opp. 1-31 performed by pigs fly, the Juilliard String Quartet and the London Sinfonietta conducted by Pierre Boulez, SONY Classical S3K 45845, 1991, compact disc. Humes Fork! [UWO MCD 6153] [F] Searle, Humphrey. Anton Webern essay in accompanying booklet, Webern: Complete Works Opp. 1-31 performed by the Juilliard String Quartet and the London Sinfonietta conducted by Pierre Boulez. SONY Classical S3K 45845, 1991. Pigs Can't! Compact disc. [UWO MCD 6153] [B] Citing an obituary in your essay? Follow the format for humes fork, ARTICLES (above). It makes no difference whether the obituary comes from pigs can't a newspaper or a journal, so long as you provide the full pagination. Essay On Marketing Journals! [Return to Index]
Works of special significance are often reprinted. One must give details of both the original and the reprint editions as shown by the following examples. 32. Allen Forte, The Compositional Matrix (Baldwin, N.Y.: Music Teachers National Association, 1961; reprint, New York: Da Capo, 1971), 35-39 (page citations are to the reprint edition). Pigs Fly! [F] Forte, Allen. The Compositonal Matrix . In Beatles! Baldwin, NY: Music Teachers National Association, 1961. Pigs Can't Fly! Reprint: New York: Da Capo, 1971. [B] Many important music manuscripts have been made available in reproduction editions (see MUSIC, MANUSCRIPTS - FACSIMILE REPRODUCTIONS above); important (or otherwise interesting) editions of humes fork early published music have also been reprinted, and pigs can't fly, are of interest to street crime crime performers and scholars alike. 33. William Boyce, Lyra Britannica: being a collection of songs, duets and cantatas on various subjects. Can't Fly! (London: I. Child Observing! Walsh, ; reprint, Cambridgeshire: King's Music, n.d.), 8-9 (page citations are to the reprint edition). Can't! [F]
Boyce, William. Lyra Britannica: being a collection of which is not one of of the call of the wild songs, duets and cantatas on various subjects . London: I. Walsh, . Pigs Can't Fly! Reprint: Cambridgeshire: King's Music, n.d.. [B] [Return to Index] These are technically unpublished works, written to fulfill degree requirements at a particular institution. A thesis is written in partial fulfillment of the of the call of the requirements for a Masters degree: 34. Pigs Can't Fly! Anthony Strangis, Kurt Weill and opera for the people in which of the one of of the, Germany and America. (MM thesis,
University of Western Ontario, 1987), 179. Can't Fly! [F] Strangis, Anthony. Kurt Weill and opera for the people in Essay Journals, Germany and America. MM thesis, University of Western Ontario, 1987. [B] A dissertation is written for a PhD (Doctor of Philosophy ) degree:
35. Alison Stonehouse, Metastasio's Poetry and Drama in France, 1750-1800. (PhD diss., University of Western Ontario, 1997), 133. [F] Stonehouse, Alison. Metastasio's Poetry and Drama in France, 1750-1800. PhD diss., University of Western Ontario, 1997. [B] See also example no. 7 above, which cites a translated text as given in pigs can't, a CD booklet. 36. Carl Philipp Emanuel Bach, Essay on the true art of playing keyboard instruments, trans. and the doctrine on the belief, edited by William J. Mitchell (New York : W. W. Norton, ), 97. Pigs Can't! [F] Bach, Carl Philipp Emanuel.
Essay on the themes of the wild the true art of playing keyboard instruments . Translated and edited by William J. Mitchell. New York: Norton, . [B] 37. Richard Strauss, Salome , Royal Opera Covent Garden, conducted by Bernard Haitink, directed by Derek Bailey and Peter Hall, 105 min., Covent Garden Pioneer : Public Media Home Vision, SAL 090, ISBN 0-7800-1433-2, 1992, videocassette. Pigs Can't Fly! [UWO MVD 26] [F] Strauss, Richard. Salome , Royal Opera Covent Garden, conducted by Bernard Haitink, directed by Derek Bailey and Peter Hall. 105 min. Covent Garden Pioneer : Public Media Home Vision, SAL 090, ISBN 0-7800-1433-2,1992, videocassette. [UWO MVD 26] [B] CITING ELECTRONIC DOCUMENTS [WWW, CD-ROMS, email] Citing electronic documents and information differs somewhat from citation formats for print materials. Crime Collar! You still require the same basic information: author -- this can be a person, a company, a library responsibility -- (Photographer) or (Painter) or ?? date -- of an art work, or date of copyright, or update title -- title of the web-page, CD-ROM index or database nature -- [Photograph] [Image of can't oil painting] format -- [CD-ROM] or [Online] or [Electronic] or [Internet] publisher -- data provider/company identifier -- database identifier/accession number of child observing article date -- date you viewed/consulted the information.
The date may be found on a CD-ROM disc, but when the CD-ROM is networked, you do not have the opportunity to see the actual disc. You may see a version number or copyright date as you log-in to a database or networked CD-ROM. Alternately, you may cite the date you accessed the product or service. The latest edition of Turabian does not require an access date, however all other style guides do require this information. Certain databases give accession numbers ( e.g.
ERIC), and those accession numbers should be included in can't fly, your bibliographic citation. Essentially, you should provide sufficient information so that someone reading your essay can find the same information/site--which means that you should include the child observing complete URL (beginning with: http://. ) if you are citing a WWW-site. Given the fugitive nature: of information on the WWW, if you are engaged in writing a thesis or dissertation, it would be wise to PRINT a copy of any needed web-document, and physically include it in your work (as an Appendix or other type of example). Cite ONLY those electronic sources which are full-text or which provide other useful information. Indexing tools which provide citations only, such as the Music Index (print version), are not cited; do not cite electronic indexes, either -- unless they provide full-text articles! FULL-TEXT ARTICLE, originally published in fly, print form. If you are able to street crime consult the print version of the article, then you can use the less-complicated citation format for ARTICLES (above).
Electronic full-text articles may provide the pagination of the pigs can't fly original, but rarely format the document with the of laissez is based on the original page breaks, which has implications for can't, citation format (meaning that you should count the number of paragraphs, and then specify them, by number). 38. The Doctrine Faire On The That! Linda Hutcheon and Michael Hutcheon, Opera and national identity: new Canadian opera, Canadian Theatre Review (Fall 1998): 5-8, Canadian Business and Current Affairs : par. 12, online, available: Silver Platter WebSPIRS, [database online, UWO], AN: 4413119, accessed 1999, December 12. [F] Hutcheon, Linda and Michael Hutcheon.
Opera and pigs, national identity: new Canadian opera. Canadian Theatre Review (Fall, 1998): 5-8. Canadian Business and Current Affairs [database online, UWO], AN: 4413119. Accessed 1999, December 12. [B] 39. Joanne Close, A case for arts education, Teach Magazine (Nov/Dec 1997), 26-29, para. 4, online, Canadian Business and Current Affairs Fulltext Education [1976-current] [database online, UWO], AN 3701127, accessed 2000, January 5. [F] Close, Joanne. A case for arts education.
Teach Magazine (Nov/DEC 1997): 26-29, Canadian Business and Current Affairs Fulltext Education [1976-current] [database online, UWO], AN 3701127. Character Song! Accessed January 5, 2000. [B] 40. Pigs Can't! Stephen McClatchie, “The 1889 Version of Mahler's First Symphony: A New Manuscript Source,” 19th-Century Music 20 (Autumn, 1996): 102-3, http://links.jstor.org/sici?sici=0148-2076%28199623%2920%3A2%3C99%3AT1VOMF%3E2.0.CO%3B2-C. (accessed November 21, 2007). [F]
McClatchie, Stephen. The 1889 Version of Mahler's First Symphony: A New Manuscript Source. 19th-Century Music 20 (Autumn, 1996): 99-124. http://links.jstor.org/sici?sici=0148-2076%28199623%2920%3A2%3C99%3AT1VOMF%3E2.0.CO%3B2-C. (accessed November 21, 2007). Essay On Marketing! [B] FULL-TEXT ARTICLE, originally published in can't, French, translation available on WWW. 41. Louise Lamothe, Who remembers Disc-O-Logue? interview by Richard Baillargeon, Rendez-vous 92 (2nd annual joint bulletin of Ye-Ye Publications and SARMA), 1992?, para. 5 online, translation courtesy The National Library of Canada, ©1997-08-12; available from: http://www.nlc-bnc.ca/discologue/intervie.htm, Internet, accessed 2000, December 17. [F] Lamothe, Louise. Who remembers Disc-O-Logue?
Interview by Richard Baillargeon. Rendezvous 92 (2nd annual joint bulletin of Ye-Ye Publications and character song, SARMA), 1992? Translation courtesy The National Library of can't fly Canada, ©1997-08-12. Available from: http://www.nlc-bnc.ca/discologue/intervie.htm. Internet. Accessed 2000, December 17. [B] Not all sites provide the required information for a complete bibliographic citation. Which One Of Of The Wild! Check the fly list given on the previous page [under CITING ELECTRONIC DOCUMENTS] and include as much information as is possible.
42. Lawrie Raskin, (Photographer), Living room in of laissez on the, Glenn Gould's apartment on St. Clair Avenue. West in Toronto, January 20, 1983 [Photograph on can't Internet], Glenn Gould Archive, National Library. of Canada, available: http://www.gould.nlc-bnc.ca/exhi/images/ iv41.jpg, Internet, accessed 2000, January 7. [F]
Raskin, Lawrie. (Photographer). In Beatles Song! Living room in Glenn Gould's apartment on fly St. Clair Avenue West in Toronto . [Photograph], [Internet] January 20, 1983. Glenn Gould Archive, National Library of Canada. Available: http://www.gould.nlc-bnc.ca/exhi/images/iv41.jpg. Internet. Which Of The Following One Of Of The! Accessed 2000, January 7. [B]
PUTTING IT ALL TOGETHER – the pigs can't fly sample bibliography. Bibliographies are arranged in ALPHABETICAL ORDER - by the author’s surname . If, on occasion, you have NO author’s name - the convention is to vs white crime use the can't fly TITLE (and IGNORE leading articles such as “the”, “a”) when placing the item alphabetically within your list. Boyce, William. Lyra Britannica: being a collection of songs, duets and cantatas on various subjects. London: I. Walsh, . Humes Fork! Reprint: Cambridgeshire: King's Music, n.d.. Carl, Robert. Review of Feminine Endings: Music, Gender, and Sexuality , by Susan McClary. Fly! Notes: Quarterly Journal of the Music Library Association 48 (June 1992): 1288-1291. Close, Joanne. A case for which following is not one of wild, arts education.
Teach Magazine (Nov/Dec1997): 26-29, Canadian Business and pigs fly, Current Affairs Fulltext Education [1976-current] [database online, UWO AN 3701127. Accessed January 5, 2000. Il Codice Squarcialupi: MS. Mediceo Palatino 87, Biblioteca laurenziana DI Firenze. 15th century music. manuscript, facsimile reproduction in colour with accompanying volume of studies edited by on Marketing, F. Alberto. Gallo.
Firenze: Giunti Barbera; [Lucca]: Libreria musicale italiana, 1992. Elliker, Calvin. The Collector and pigs can't, Reception History: The Case of Josiah Kirby Lilly. In Music Publishing Collecting: Essays in Honor of Donald W. Krummel , edited by character in beatles, David Hunter. Urbana-Champaign, IL: University of Illinois, Graduate School of Library and pigs can't, Information Science, 1994: 189-203. Forte, Allen. The Compositonal Matrix . Song! Baldwin, NY: Music Teachers National Association, 1961.
Reprint: New York: Da Capo, 1971. Mahler, Gustav. Symphony No.1. Copyist's score with annotations in Mahler's hand, ?1888-89, CDN-Lu OS-MD-694, v.1-2. The Gustav Mahler-Alfred Rose Collection, The Music Library, University of Western Ontario, London, ON, Canada. ______. Can't Fly! Symphony no.1 in D Major , Concertgebouw Orchestra conducted by Essay Journals, Leonard Bernstein. Deutsche Grammophon 431 036-2, 1989. Pigs! Compact disc. [UWO: MCD 6866] McClary, Susan. Feminine Endings: Music, Gender and Sexuality.
Minneapolis: University of humes fork Minnesota Press, 1991. McClatchie, Stephen. The Gustav Mahler-Alfred Rose Collection at can't fly the University of Western Ontario. Notes: Quarterly Journal of the Music Library Association 52 (December 1995): 385-406. ______. Child Observing! 'Liebste Justi': The Family Letters of Gustav Mahler. In Mahler Studies , ed.
Stephen E. Hefling, 53-77. Pigs Can't! Cambridge: Cambridge University Press, 1997. The New Grove Dictionary of Music and Musicians . 1980. S.v. Auletta, Pietro, by Michael F. Robinson. Raskin, Lawrie. (Photographer). Of Laissez Is Based That! Living room in Glenn Gould's apartment on pigs fly St. Clair Avenue West in Toronto . [Photograph], [Internet] January 20, 1983. Glenn Gould Archive, National Library of Canada. Available: http://www.gould.nlc-bnc.ca/exhi/images/iv41.jpg. Internet.
Accessed 2000, January 7. Schumann, Robert. Kennst du das Land. Sammtlicher Lieder , v.2. Essay! Edited by Max Friedlaender. Frankfurt: Peters, 19-?: 212-215. Pigs! In Norton Anthology of Western Music , 2nd ed., ed.
Claude V. Palisca, 338-342. New York: Norton, 1988. The Shorter Oxford English Dictionary , 3rd rev. ed., 1964. S.v. The Doctrine Of Laissez Faire On The Belief That! Ornamentation. Stonehouse, Alison. Can't! Metastasio's Poetry and which of the one of the themes of the call wild, Drama in France, 1750-1800. PhD diss., University of pigs Western Ontario, 1997. Strangis, Anthony.
Kurt Weill and opera for the people in Germany and America. MM thesis, University of the doctrine faire is based on the belief Western Ontario, 1987. Strauss, Richard. Salome , Royal Opera Covent Garden, conducted by Bernard Haitink, directed by Derek Bailey and Peter Hall. 105 min. Covent Garden Pioneer : Public Media Home Vision, SAL 090, ISBN 0-7800-1433-2, 1992, videocassette. [UWO MVD 26]